Exhibit at River Arts: Call to Artists
ARTIST SUBMISSIONS
Interested in exhibiting at River Arts?
All of our submissions are juried by the Rivers Arts Gallery Committee which welcomes all mediums, subject matters, and levels of making. We are currently accepting submissions until June 1st, 2021 for the January 2022-June 2022 calendar.
River Arts features two distinctive gallery spaces located within its historic building on Pleasant Street; the Folley Hall Gallery and Copley Common Room Gallery.
Exhibition spaces are frequently used as community spaces for classes and workshops. Therefore, our exhibition calendar is curated with an emphasis on framed and/or matted two-dimensional work. Exhibitions are typically installed for 2-3 months and include an artist reception and gallery talk. Multimedia and 3D work will be considered for special shorter-term exhibitions.
For any questions about submission please email info@riverartsvt.org
Current Exhibitions:
Past Exhibitions:
November 10th, 2022 - February 1st, 2023
Paintings by Mareva Millarc, Folley Hall Gallery
Paintings and Prints by Cathy Osman, Copley Studio Gallery
Cameron Schmitz, Jessica Hughes, and Matt Larson
Folley Hall & Copley Studio Galleries
July 21st - October 28th, 2022
Rebecca Schwarz, Caroline Loftus, Kate Arslambakova, and Martha Dunbar
Copley Studio Gallery
April 21st - July 9th, 2022
Works by Dan Gottsegen
Folley Hall Gallery
April 21st - July 9th, 2022
An Oral History Project part of the Lamoille Art & Justice Project
Folley Hall Gallery
January 20 - April 9, 2022
Oral history is the oldest form of historical study, and art is the oldest tool for appealing to human emotion. Listening Outside the Lines is a multimedia group exhibition exploring what it means to be a Person of the Global Majority (PGM; Black, Indigenous, or other Person of Color) in Vermont using oral history and inspired art. The exhibit will feature oral histories from PGM in Lamoille County as well as visual art and poetry from Vermont-based PGM artists Sarah Audsley, Alexa Herrera Condry, Harlan Mack, Crystal Stokes, Isadora Snapp, and Madeleine Ziminsky.
Listening Outside The Lines is part of the Lamoille Art & Justice Project, which merges public art, oral histories, podcasting and literature to foster connection and community for People of the Global Majority (PGM) in Vermont across generations.
Works by Kathy Black
Copley Studio Gallery
January 20 - April 9, 2022
Can we think about female power without clashing with expectations of motherhood and femininity? This is the question posed by Kathy Black in her latest body of work. Women and Girls is inspired by two related threads: the experience of changing perspectives and exploring the connections that run between women at different points of life. These paintings look at roles women and girls take on to explore and think about how they might be or what they might do. Maybe it looks at changing lives and changing bodies with each age. Or maybe the shifts over time reveal the ordinary yet important moments of similarities.
Works by the Photographer’s Workroom
Copley Studio Gallery
November 8th - January 15th, 2022
Exhibition Reception and Artist Talk
Thursday, November 11th
5:30pm to 7:30pm
Fiber Arts by Kristina Snook
Folley Hall Gallery
November 8th - January 15th, 2022
Exhibition Reception and Artist Talk
Thursday, November 11th
5:30pm to 7:30pm
Paintings by Nitya Brighenti
Copley Studio Gallery
July 22nd, 2021 - October 29th, 2021
Of Openness and Closeness is a contemplation of muse, the closeness of studying a master's work, and the expanding perspective it inspires. Brighenti provides a written guide for each of the works, expanding the experience for viewers. Poetry weaves its way through each piece, sometimes framing an inanimate piece simply and other times casting shadows and exploring drama and depth.
Works by James Rauchman
Folley Hall Gallery
July 22nd, 2021 - October 29th, 2021
James Rauchman has been painting self-portraits for nearly 40 years in an attempt to grapple with being an outsider—a gay man and an artist—and reflect on identity within the context of a society not quite able (or ready) to accept him. The works push at the boundaries of portraiture, from unapologetically realistic to playfully abstract. After decades in New York City and other urban climates, James is delighted to be showing these works together for the first time, in Vermont where he feels he has finally come home.